Archives
Categories:
- Business announcements
- Best First Line Contest
- Books/Reading
- Contests
- Editing
- New Releases/Excerpts
- Life
- Miscellaneous
- Round Robin
- TV/Movies
- Writing
Recent Comments
- Crystal Dee (Tales of a Sequel Whore )
- Leah Braemel (Tales of a Sequel Whore )
- Devon Ellington (Do you NaNo?)
- Beth Williamson (Devils on Horseback Rides in Again!)
- Jess Dee (The things we shouldn’t love…but we do…)
- Rhian Cahill (Devils on Horseback Rides in Again!)
- Chris Redding (The story behind the story.)
- Karin (Dedications)
- Beth Williamson (Dedications)
- Crystal Dee (Dedications)
Descriptions - When Is It Too Much?
I’m sure someone has talked about this before … or maybe I have. So many blogs — so little time. Still, everyone has their own perspective and I’m going to share mine.
Some people are really big on description. Some like to write bare to the bone. Time and again I hear from other writers that editors prefer less description, more action. Keep the story moving … faster … more action … don’t slow the pace. As a reader, I find this lacking. I need lulls in the story to allow me to catch my breath and regroup for the next action scene. Give me a rich enough description where I can smell the coffee, feel the warmth of the sun on my face, hear the whisper of the wind on a cold winter evening.
In other words, I need the visual. When I write, I visualize the scene in my head. From there I’m able to make my worlds come to life. Sometimes I go overboard … which my crit partners are quick to point out, but mostly I think I manage to keep it within reason. I have to be able to see the scene in my head in order to enjoy it. However, I’m not a fan of page after page of droning description. That would get boring even for me. There has to be a balance.
A lot of writers need to outline, create whole character charts, background — you name it. I can’t write that way. I mull over an idea. If it has legs, it lingers in my mind for a long time. That’s when I know that I have a viable idea. From there, I build on it, visualize the surroundings, imagine situations and scenes that my characters would find themselves. Its only after I have a clear picture in my head that I’m able to begin a book.
Many writers cannot write that way, but it seems to work best for me. I guess its another example of the old adage — there is no wrong way to write a book.
How ‘bout you? Which method do you prefer? Copious notes until you know your character inside and out? Or painting a picture of them in your head?

Painting a picture from my head… but still only in broad brush strokes. I’m defininely not a big fan of too much description. I get bored. :x
-Selena
Its that balance thing again, Selena. If there’s too much description, I begin to skim. I really don’t need to know the preference for maple syrup over blueberry syrup on the morning waffle. Not unless its the maple syrup that had been poisoned rather than the blueberry. LOL.
But I do want a vivid description of the scene. That’s what makes it come alive for me.
Unless something is vital to the plot, I spend perhaps a paragraph or two describing the scene and move on. I might mention the doilies on the back of grandma’s lazy-boy or the gaudy hanging fruit lamps she has, but even so, I don’t need to go on and on about the fine crochet work on the doily or the way the light refracts through the glass grapes. LOL
~~Becka